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2. Bernard Bergonzi. A Study In Greene: Graham Greene And The Art Of The Novel. Oxford University Press. 2006. - 197p.
3. BRIAN DIEMERT. Ida Arnold and the detective story: Reading Brighton Rock. Twentieth Century Literature; Winter 1992; 38, 4; Academic Research Library pg. 386.
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6. De Vitis, A.A. Graham Greene. Rev. ed. Boston: Twayne, 1986.
7. Denning, Michael. Cover Stories: Narrative and Ideology in the British Spy Thriller.London: Routledge, 1987.
8. Graham Greene's Child World by Goldenberg, Dolly (Rose), M.A., University Of Windsor (Canada), 1958, 124 p.
9. Ian Ousby. Cambridge Guide to Literature in English 1993.
10. Jean Harkins, Anna Wierzbicka. Emotions in crosslinguistic perspective Walter de Gruyter, 2001. - 421 pp.
11. Kunkel, Francis L. The Labyrinthine Ways of Graham Greene. 1960.
12. Pavlenko Aneta. Emotion and emotion-laden words in the bilingual lexicon. Bilingualism: Language and Cognition (2008), 11: pp. 147-164 Cambridge University Press
13. Pursuit of Signs: Semiotics, Literature, Deconstruction. Ithaca: Cornell UP, 1981. pp. 169-87.
14. Rosemary Goring. Larousse Dictionary of Writers. 1994
15. Sherry, Norman. The Life of Graham Greene 1904-1939. Vol. 1. Toronto: Lester and Orpen Denys, 1989.
16. Stratford, Philip. "Graham Greene: Master of Melodrama." Tamarack Review 19, (1961): pp. 67-86.
17. Todorov, Tzvetan. "The Typology of Detective Fiction." The Poetics of Prose.1971.
18. Ways of Escape. 1980. Harmondsworth: Penguin, 1981.
19. Качалова К. Н., Израилевич Е. Е. Практическая грамматика английского языка. : В 2-х т. Т2, К.: Методика, 2003 г. - 304 с.
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